Friday, February 29, 2008

U.S. Imprisons One in 100 Adults, Report Finds

Published: February 29, 2008

For the first time in the nation’s history, more than one in 100 American adults are behind bars, according to a new report.Nationwide, the prison population grew by 25,000 last year, bringing it to almost 1.6 million, after three decades of growth that has seen the prison population nearly triple. Another 723,000 people are in local jails.

The number of American adults is about 230 million, meaning that one in every 99.1 adults is behind bars.

Incarceration rates are even higher for some groups. One in 36 adult Hispanic men is behind bars, based on Justice Department figures for 2006. One in 15 adult black men is, too, as is one in nine black men ages 20 to 34.

The report, from the Pew Center on the States, also found that one in 355 white women ages 35 to 39 is behind bars, compared with one in 100 black women.

More here (Times)
and here (Pew report)

Thursday, February 28, 2008

November


I was surprised and disappointed that more than one of the reviewers of David Mamet's November claimed that the play wasn't serious about politics--a very strange complaint to make about a satire. It seemed to come from some sense that the play ought to be telling you what policies to endorse or what party to vote for, and particularly to represent a protest against the play's suggestion that the whole of democratic political process is corrupted by venality and self-seeking. 
This venality and self-seeking, as Socrates might say, is so manifestly not in the politicians' own best interests that it can only be represented by Aristophanic satire. Michael Clayton is a good movie but it's rendered sentimental by its insistent attempt to divide the individuals in the midst of corporations and law firms into good guys and bad guys, although it does adopt the nice device, in common with Network (as a lot of people have pointed out), of putting forth a madman as the only one who really understands and appreciates the enormity of what's happening.
Somebody or other pointed out that in screwball comedy, the clock is always running out. November has a lot in common with The Front Page and His Girl Friday, in which the impending deadline is also an election.

Friday, February 22, 2008

Jason, Michael, or David. That's all I'm saying.

Sunday, February 17, 2008

Two Guys and a Chick Set Off Tiff Over School Library Policy


"And Tango Makes Three," shown in a bookstore display, is based on the behavior of penguins at a zoo. (By Nam Y. Huh -- Associated Press)


Washington Post Staff Writer
Sunday, February 17, 2008; Page C06

A children's book about two male penguins that hatch and parent a chick was pulled from library shelves in Loudoun County elementary schools this month after a parent complained that it promoted a gay agenda.

The decision by Superintendent Edgar B. Hatrick III led many parents and gay rights advocates to rush to the penguins' defense. Many say that the school system should not have allowed one complaint to limit children's literary choices. Some are calling for an overhaul of the book review policy. Besides, many say, what could be wrong with a book about penguins?

The book is based "on a true story . . . of what happens in the animal kingdom," said David Weintraub, director of Equality Loudoun, a gay rights organization. "It's about the joy of being part of a family. These penguins love each other. They take care of each other."

The book, "And Tango Makes Three," by Justin Richardson and Peter Parnell, draws on the real-life story of Roy and Silo, two chinstrap penguins at the Central Park Zoo in New York. It also appears to make a point about tolerance of alternative families.

The publisher, Simon & Schuster, offers discussion questions about the book on a Web site. One says: "Tango has two fathers instead of the traditional mother and father. Do you have a nontraditional family, or do you know someone who does?"

As the book says, Roy and Silo were "a little bit different" than the boy and girl penguins who noticed each other and became couples. "Wherever Roy went, Silo went too." After they tried to hatch an egg-shaped rock together, a zookeeper gave them a fertilized egg to nurture. Experts say male chinstraps typically share incubation duties with females.

The 2005 book, written with simple words and colorful pictures and dedicated "to penguin lovers everywhere," topped the American Library Association's list of banned or challenged books in 2006. Parents challenged the book in Shiloh, Ill., and Charlotte. Administrators in Charlotte initially yanked the book but later restored it, according to news reports.

In Loudoun, the book was challenged at Sugarland Elementary School several months ago, officials said, by a parent they declined to name.

Following school system policy, the principal convened an advisory committee of principals, librarians, teachers and parents to review the book. The group deemed it acceptable, and the principal concurred. The parent appealed. Another committee of administrators, librarians and parents reviewed the book. That committee, too, recommended that it remain in the collection.

Hatrick made the final call. Wayde B. Byard, a schools spokesman, said Friday that Hatrick made a "split decision." Although "Tango" was pulled from the shelves, it will remain in the librarian's collection. At 16 elementary schools, the book is now part of the professional collection, where it is stored with instructional texts and can be checked out only by parents or teachers. It's still in the general collection at one middle school and two high schools.

Hatrick thought the book's content might not be developmentally appropriate for some students, Byard said. "He thought the book, for some of the younger students, would be better read with an adult or a teacher," he said.

But censorship watchdogs say Hatrick's decision still sends a strong message.

"If you are putting something behind a desk, you are saying something is wrong with it," said Judith Krug, director of the office for intellectual freedom at the American Library Association. "It's a degree of censorship, because they are making access to information extremely difficult."

Nikki George, a Sterling parent, said her daughter, a second-grader, tried to take the book out of her library at Forest Grove Elementary in Sterling last week and was told that she could not. She had heard the story last year, when a minister at her Unitarian Universalist church read it to a group of children during a service.

George said that the book helps teach a lesson that she wants her children to know: There are all types of families. "We happen to be a mom and dad and a boy and a girl," she said. "But sometimes you have a grandmother and a mother, sometimes you have just a dad, sometimes you have two moms or two dads. The important thing is that it's a family of love."

Some parents and activists want to challenge Hatrick's decision and put the book back on shelves, but school system officials say there is no process to do that.

John Stevens, a school board member from Potomac, criticized those policies. Under the heading "Put The Penguins Back," he wrote on his blog that the policies, last reviewed in 1993, are "deeply flawed and led to a bad decision."

Stevens wrote that parents should determine what is appropriate for their children. "The school should not be an instrument of censorship for parents who want veto power over the judgment of other parents," he wrote.

Stevens intends to propose a new set of policies at a committee meeting March 4.

Last school year, a Loudoun parent challenged a school library book titled "Math Curse" because of a concern that it could be associated with witchcraft, said David Jones, supervisor of library media services.

A local committee recommended keeping "Math Curse" in the library. The decision was not appealed.

Friday, February 08, 2008

One doesn't go to the theater to watch the performers having fun.

Tuesday, January 29, 2008

You can make a baby cry--but you can't talk him into it.

You can pour syrup on my head, but that doesn't make me a pancake.


Thursday, January 17, 2008

The Onion

My horoscope this week reads:
"Sure, the bear costume may have set you back a pretty penny, but just think of all the free tranquilizer shots you'll soon be getting."
Uncanny. Now tell me you don't believe in astrology.

In the same issue, Patton Oswalt is quoted as referring to the KFC Famous Bowl--that heap of mashed potatoes, gravy, fried chicken, corn and melted cheese that ought to appear in the dictionary next to the Yiddish term khozzerei--as "a failure pile in a sadness bowl."

Tuesday, January 15, 2008

I never thought I could be one of those people who post incredibly obscure cool stuff they've found on Youtube, yet here I am with a link to an Icelandic comedy sketch about Eartha Kitt.

Friday, January 11, 2008

I can't believe I haven't gotten around to posting the menu for the New Year's Eve dinner I made:

Fête de la veille de nouvelle année 2008
Chez Arthur et Bernard
Aves ses très chers amis Jimmy et Aggie

Hors d’oeuvres:
Rillettes de canard
Olives de Grèce
Amandes Marcona d’Espagne
Arachides “Emmenez-moi à l’ancienne Virginie”

Soupe aux petits pois et laitue de romaine avec son coulis de poivres rouges

Risotto au vin et radicchio à l’italien sur sa purée de carottes

Saumon poché avec sa sauce de safran
Asperges au gratin
Purée de céleriac

Sorbet de pomme vert

Soufflé aux épinards

Coups de hache d’agneau frites à la mode de Parme
Flageolets verts
Fenouil grillé

Assiette de fromage

Gateau simple aux poires avec sa glace “La surprise de Bernard”

Roughly translated:

Hors d’oeuvres:
Duck rillettes, Spanish almonds, Greek olives, Virginia peanuts

Green pea soup with red-pepper coulis and creme fraiche

Risotto of radicchio and red wine served on a carrot puree

Poached salmon in saffron sauce
Asparagus au gratin
Celery root puree

Green apple sorbet

Spinach souffle

Fried lamb chops
Flageolets
Grilled fennel

Cheese plate

Country pear cake with almond ice cream

Arthur was responsible for the unusually fine wine pairings.

The fish, which was about the simplest thing on the menu, was a disaster, and the souffles didn't work at all. The lamb chops, dredged in Parmesan before a coating of bread crumbs, are a very good dish. The rillettes, from Costco, was very good. Breakfast in the morning was very good: Scrambled eggs with andouille sausage and gruyere, fresh hot popovers, spicy beans made with the leftover flageoloets. (I like to serve blackeye peas on New Year's Day but I forgot to get any.)
Two nights ago I fixed a very good meat loaf with mashed potatoes with leeks mixed in, and kale--last meal before the kitchen tear-out which began yesterday.

Sunday, January 06, 2008

I've been watching Hitchcock's "The Paradine Case" on cable and caught this amazing crypto-queer exchange:

Handsome Gregory Peck: I came on you quite by accident.
Gorgeous Louis Jourdan: But you wanted to come on me . . .

There's a very unusual feel to this film that must delight contemporary gender theorists: although it's about a woman who murders her husband due to her infatuation with another man, it depicts the men who bring her down as heartless and foolish. That kind of appreciation of moral ambiguity is very rare in Hollywood, outside of film noir. It's interesting to consider whether this alone qualifies the film as noir despite its sharing no other characteristics at all with the noir classics.

Friday, January 04, 2008

The New York Times reports today that Mike Goldberg died this week. These days he's not remembered so much as a painter as for being part of Frank O'Hara's circle, married to Patsy Southgate and the occasion for one of O'Hara's most perfect and characteristic poems:

Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.

(1971)

He was 82. O'Hara, if he'd lived, would be 81 himself. Today this poem makes me sad; I'm thinking of everyone who's gone and replaced by names and words.

Sunday, December 30, 2007

An insect bite can make you very sick. But the insect remains an insect.

Friday, December 14, 2007

Hum II Sp 08

AS2000 A&C Humanities II
Sp 2008

Our topic will be: Dehumanizing Humanity – Technophobia and Technophilia in Modern Culture. We’ll look at this topic in the light of several themes: The foundation of concepts of the human in concepts of nature, work, and technology; Modern media’s power to represent and reshape humanity and social life; Technology’s enabling of the dehumanization of others; Androids, robots, and other artificial human creatures in the modern popular imagination.

Books:
Bill McKibben - The End of Nature (2006 ed.) (Random House, 2006)
Stanley Perkowitz - Digital People: From Bionic Humans to Androids (Joseph Henry Press, 2004)
Mary Shelley - Frankenstein (Signet, 2000 – the 1818 edition. Do not get the 1831 edition.)
Susan Sontag - Regarding the Pain of Others (Picador, 2004)

Most of these are available used from Amazon or abebooks.com. But be sure to get the right edition.

The following required readings are available free online:
Karl Marx and Friedrich Engels – The Communist Manifesto
Henry David Thoreau – Walking
Franz Kafka – In the Penal Colony
Michel Foucault - Panopticism
Guy Debord - The Society of the Spectacle

The following films will be studied in class:
Metropolis (Fritz Lang, 1926)
La Jetée (Chris Marker, 1962)
Dr. Strangelove (Stanley Kubrick, 1964)
RoboCop (Paul Verhoeven, 1987)

Further suggested reading:
George Orwell – 1984
Walter Benjamin – The Work of Art in the Age of Mechanical Reproduction
Bill Joy – Why the Future Doesn’t Need Us
Kevin Kelley – Out of Control
Nick Bostrom - Existential Risks: Analyzing Human Extinction Scenarios
The Unabomber’s Manifesto
Francis Fukuyama, - Our Posthuman Future: Consequences of the Biotechnology Revolution. Picador, 2002

Wednesday, December 05, 2007

Love Songs

For "heart" read "sexual organs."

Monday, December 03, 2007

Just a minute left in Joseph Conrad's 150th birthday. We started Heart of Darkness in the evening Humanities section tonight. Nothing seemed to impress them so much as the coincidence of its being Conrad's birthday. The symmetry in this semester is planned: We started out with Civilization and Its Discontents and are ending with analysis of HoD, considering whether it's the same argument in the form of narrative. (More successful and more "earned"--you can see why Conrad didn't care for Freud.)

It's funny how like Mann Conrad is. I remember suddenly realizing sometime back that The Goat was Albee's Death in Venice; of course HoD is DiV, too, only that much darker. These are metamorphosis stories--along with Kafka's actual Metamorphosis--where the central character encounters some sublime force that makes it impossible to live as he once did. It seems like they ought to be all over the place; that every bildungsroman should be a transformation, but they're not; they're relatively rare, compared to takes in which the change is just a melodramatic readjustment to the norm. The real ones are sort of grim, earnest, and religious in implications, like Diary of a Country Priest and Le diable, probablement, The Counterfeiters, Young Torless, Demian.

From www.bathybius.com

Beaudouin-Mason-Welt
Dec 02, 2007 @ 11:51 am

I had an amazing time at the reading last night in Baltimore. David Beaudouin, Chris Mason, Bernard Welt read in that order. part ways thru Bernard’s reading the word ecstatic came to mind. by ecstatic I mean that each of the three readers seemed to have left themselves behind as a condition for their having written the things they did. the work all seemed especially unburdened by… I want to say identity, or specific expectations or preconceptions about what being a writer is all about.

I learned from Michael after the reading that Chris had put the three together for this reading. Chris was the only one of the three I knew at all prior to the reading, but I hadn’t seen Chris read, outside of his part in a collab thing I did with him, Bender, Rupert and Adam Good. Chris’ reading surprised me. His presence was not what I would have predicted, tho I’m not sure I can get more specific about that. he was commanding in a very untyrannical way. (not that I was expecting tyranny.) among the things he read were some sound poems called “click poems”. I asked him if he had recordings of the poems and apparently he does, so I will want to get those on the dc poetry site and link to them. I think Chris stands the same way I do when I read. and/or moves or doesn’t move, the same way. same kind of peculiarly intentional verticality. but he moves less, I think.

David, who read first, read a few very different kinds of things. there were some denser longer (but not very long) things that especially worked for me. not dense like leaden. free & surprising, utterly. not like the other kids. Says the i.e. series blog, “He was the founder of Tropos Press, Inc. (1976-2001), one of the region’s most respected alternative literary presses, as well as THE PEARL (1980-2001), a Baltimore journal of the literary and ’spontaneous’ arts.”

I’m not usually comfortable with big words like “astonishing,” but Bernard’s reading could be described that way without fear of excess. he read some things he described as “prose.” among them was a piece (series of pieces?) about George W. Bush. the piece is a series of dream sequences in which George W. Bush — who is always referred to that way in the piece, with the “W” — appears exactly when we least and most expect it. the piece is funny but also devastatingly sad. something about the affect is just so perfect for this particular moment, late in W’s presidency, where we’re all exhausted by what he has wrought, to the point of something like punchiness, at times. something happened to me during the reading wherein I was suddenly struck by my capacity as a human to be affected by what is happening to THE ENTIRE WORLD. at some point in recent years I think I decided it might be possible to only be affected by what is happening within a 10-mile radius (putting aside the fact that my 10-mile radius contains the federal gov’t, etc) and not care about the rest of the world. I’ve even had times where I stopped believing that human beings can care about the out-of-sight. you know, cuz you can’t really hold a whole world in your head. but Bernard’s piece recovered a lot of that for me, my real relation to something as big as the world. (as soon as I publish this blog post I will start working on recovering my indifference.)

Bernard also read a piece called “I stopped writing poetry.” It’s one of these pieces that is just jammed full of things that are funny and true, not only about being a poet but being a human. You keep thinking to yourself as you hear it read, I’m not going to be able to remember all of this so I just need to remember this one sentence because this must be the one that can’t be eclipsed by anything that remains in the piece. but then that happens fifteen more times. It appears in The Best American Poetry 2001, I now know, from a search. So if you happen to have that volume. Hopefully it’s the same version as what was read last night. It is about the numerous times when Bernard has stopped writing poetry and the various reasons for those stoppages. From various searches I now see that the piece got quite a lot of attention way back in the year 2000.

After the reading I asked Bernard if he had any books and he mentioned a book of essays, but he didn’t mention an out-of-print book of poetry — Serenade (Z Press). I see also that he has some things here. The book of essays is Mythomania: Fantasies, Fables, and Sheer Lies in Contemporary American Popular Art. I was able to order Serenade from Amazon, but I’m a little skeptical because it was $5 there and listed in “new” condition, whereas it is upwards of $30 from other sellers. a little worried I’ll get a “just kidding” email from Amazon.

Thursday, November 29, 2007

Title:
I Fucked a Communist for the FBI

It practically writes itself.

Saturday, November 10, 2007

The only difference between me and a madman is that I am not mad.

-Salvador Dali

The only difference between me and a retard is that I'm not retarded.

-Bernard Welt

Thursday, November 08, 2007

Today in class: The Discreet Charm of the Bourgeoisie. I just watched most of A proposito de Bunuel, one of the best documentaries on an artist I can think of. To write like a child with the knowledge and vocabulary of an adult--that must be great.

Saturday, November 03, 2007

Just discovered I can do a killingly funny imitation of Bela Lugosi as Dracula singing "Tried to Make Me Go to Rehab." That will certainly come in handy.